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Venue:The City Café, 19 Blair Street Edinburgh EH1 1QR
Phone: 0131 220 0125
Links: Click Here for venue details, Click here for map
Ticket Prices: Free  
Room: Las Vegas
AUG 2-13, 15-26 at 15:00 (60 min)
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Can stand up save your love life?

Self-confessed nice guy Steve thinks so. That's why he's asked Alice, an up and coming comedian, how to perform stand up. It's his last-ditch attempt to distract his girlfriend from the ‘funny’ guy at work. However, the recently dumped Alice has her own prickly views on monogamy, performing and his motivations. 

A platonic friendship comedy (because spoiler alert, they don’t get together at the end) about love, being funny and how to fail successfully on stage.

Praise for Ellen Waddell:

‘Entertaining and delightful’ - Broadway Baby
‘Absolutely hilarious’ - The List

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News and Reviews for this Show

August 17, 2018  Bunbury Magazine
In the beginning, there was Alice, a dark, rumbling force of comedy with no time for fools, and Alice was good. She takes to the stage at a comedy club and storms a stand-up routine to rapturous applause. Such is the ferocity of her performance that Steve, a well-meaning, kind-hearted audience member, asks her for lessons in how to be a stand-up.

What follows from this point engrossing on every level – the beautiful writing brought to life by first-class performances by Holly Aston and Daniel Cech-Lucas, as Alice and Steve respectively. We see the development of their relationship together, the trails and tribulations of their own relationships and Steve’s journey into the world of comedy as a way to recapture his girlfriend’s love. There is an obvious and immediate chemistry between Holly and Daniel which helps the dialogue ad structure radiate over the audience.

This is not a traditional play. This is a play that, right from it’s innovative opening, has a lot to say about relationships – how they form and end and every moment in between; the desperation that can be felt; the heartbreak. It is also a sharply-observed glimpse behind the curtain of what it takes to actually be funny and how to write comedy that will make people laugh. The ‘stand-up’ sections have a wonderful rhythm and flow to them, reminiscent of the best poetry you could imagine.

The narrative of the play never wavers from its course and is wonderfully balanced from its state-of-imperfection opening through to the climax and ending, which is a superbly far away from a Disney happily-ever-after as you can imagine. It is a genuine emotional roller-coaster and a thrill to ride it – dark, funny, expressive and intelligent.

The forms and conventions of plays and stand-up are toyed with, flipped and laid bare in Don’t Be Terrible to an exquisite level. For a play which can give you everything you need from entertainment, and more, this should not be missed. Click Here

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